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Exuberance Review - Page 2
Jamison’s
prose, rich in alliteration and imagery, recalls the character of its
expansive subject. Exuberance: the Passion for Life spirals
through history, science, and literature. A gifted storyteller, Jamison
tells of how the enthusiasm and love of nature shared by Theodore
Roosevelt and John Muir contributed to the conservation of national
forests and wildlife preserves in the early years of the twentieth
century. “Neither was capable of doing nothing when there was much to
be done,” Jamison writes. “Their joy in the wild was contagious to
those around them. Both were persuasive by temperament and able to
convince others of what they felt to be a moral imperative.”
She next
explores the quieter exuberance found in the nineteenth century snow
crystal photomicrographs of Wilson Bentley. “He was as stricken by
their impermanence as struck by their beauty,” she writes. “He endured
the inevitable frustrations and failures involved in capturing and
photographing a solitary snow crystal before it melted into nothingness
because he felt an urgency that others did not.” That sense of urgency
provided the motivation for him to complete a body of work that to this
day still inspires awe, not only by its sheer volume but by its
brilliance.
Kay Jamison’s
kaleidoscope of examples sparkling and folding in on one another is
itself a study in exuberance. Heads of state mix with naturalists,
physicists, and Mr. Toad from Kenneth Grahame’s The Wind in the
Willows as the chapters play out. Michael Faraday, Richard Feynman,
James Watson, Winston Churchill, and Tigger of the Hundred Acre Wood are
just a few of the personalities she evokes. What carries the work and
prevents the many examples from feeling repetitious is Jamison’s skill
as a writer. Her brisk storytelling style keeps the story moving
forward throughout the book.
Those who
study the mind, as she notes early on in Exuberance, tend to
focus on the darker side. The reasoning behind this is obvious. Six
years before, in Night Falls Fast, she addressed the depressive
states that overcame those who took their own lives. Profound sadness
is destructive. It is natural to see in it a problem to be solved.
Profound joy needs no remedy, yet there are still questions to be
asked. In 1993, she pressed upon similar questions in Touched with
Fire. Where does creativity come from? What about genius? What
about those who gave us so much but only in sudden, Roman candle-like,
bursts and sprays of brilliance between weeks, months, or years of
silence? “We have given sorrow many words,” she writes in Exuberance,
“but a passion for life few.”
The exuberant
may more easily rally others to their cause or they may be dismissed as
lacking seriousness. “Joy lacks the gravitas that suffering so
effortlessly commands,” she notes. Still, in groups, the sullen can be
far more easily overlooked than the passionate. The rush of energy and
ideas, in the right crowd and circumstances, can be rapidly infectious.
“It is a material part of our pursuits – love, games, hunting and war,
exploration – and it is a vibrant force to signal victory, proclaim a
time to quicken, to draw together, to exult, to celebrate.”
Reviewer Jason A. Zwiker is a
freelance writer in Charleston, South Carolina.
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