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Originally published in Charleston
Magazine, May 2005
Rejoice: Gospel Music in
the Lowcountry
Jason A. Zwiker
“Just hymn a
little bit, my momma used to say,” Rossilind Lucas Daniels explains.
“Singing gospel got her through her day, her week. That’s the very thing
that hits home in the soul and makes you forget your troubles. Makes you
forget what’s going on in the world around you.” Today, Rossilind is
minister of music for New Charity Missionary Baptist Church. Together
with her sisters, Mary Greer and Trudie Grant, she has been performing
gospel music for nearly 30 years.
While their
mother spoke to them of grace and the transformative power of music,
their father taught them how to harmonize and minister to others through
song. Henry Lucas performed with gospel quartet The Jubilees from the
1960s through the ‘80s, touring the gospel festivals and revivals of the
Southeast. It was in those days that Rossilind, Mary, and Trudy became
known as the eponymous gospel trio The Lucas Sisters.
The intensity and
authenticity of their vocals earned them the respect of the
international gospel community. They received a South Carolina Folk
Heritage Award for their ongoing contribution to the arts and have
performed everywhere from Washington, D.C. to Lugano, Switzerland, for
the annual Blues to Bop Festival. Through it all, however, they remain
rooted to their childhood church and the gospel choir that gave them
their start in music. “When The Lucas Sisters sing,” Rossilind says,
“God gets the glory.”
That same small
church continues to inspire new talent. Quiana, Charlene, and Vanessa
Brokenbrough, known to fellow congregants as “The Little Lucas Sisters”
for their emulation of the singers, are currently in the studio
recording their debut gospel and R&B album under the name of 3 Dyvne. “I
used to sit in church and watch Rossi playing the keyboard, singing, and
directing the choir,” says 15-year-old Quiana. “After church, me, Mayany
(Charlene), and ‘Nessa would sit on the stairs at home and play like I
was Rossi and they were the choir. I would run my fingers across one of
the lower steps like it was a piano, and they would be up top, singing
whatever we heard in church that day. That’s how we learned to
harmonize.” They joined the children’s choir at Charity Baptist, working
directly with Minister Daniels and the rest of the gospel ensemble.
Continued on page 2
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